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SUPERFLEX |
Founded 1993 in Copenhagen, Denmark, by Bjørnstjerne Reuter Christiansen (b. 1969), Jakob Fenger (b. 1968), and Rasmus Nielsen (b. 1969). Based in Copenhagen |
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SUPERFLEX, “Foreigners,” 2002. Poster statement in various European cities. © SUPERFLEX |
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SUPERFLEX pretty much always talk about their projects as “tools.” They're happy to present the tools they've come up with in art galleries or museums and they enjoy the opportunity to get their work looked at critically and for its meaning to be assessed in the language of art. But more important is that the tools find users, that the projects find participants as well as audiences. The SUPERFLEX philosophy is one in which art itself is a tool, not just for contemplation or aesthetic experiment, but for direct social empowerment. They use the freedom that the art world offers – the freedom to work with ideas in their raw state – as a starting point. They use the financial resources, the locations, the collaborators that the art world gives them access to in order to develop these ideas into projects which then take on a life of their own, in the hands of others. (Will Bradley, 2001) |
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Websites
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www.superflex.dk
www.supergas.dk
www.superchannel.org
www.karlskrona2.org
www.musicsystem.dk |
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Selected Solo Exhibitions
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2004 |
Supercopy/Occasionally free/Open market, Schirn
Kunsthalle, Frankfurt, Germany
Self-organise/Guaraná Power, Redcat Gallery, Los Angeles, USA |
2003 |
Counter-strike/Self-organise, Kiasma Museum of Contemporary Art, Helsinki, Finland
Social pudding, Rirkrit Tirvanija & Superflex, GFZK, Leipzig, Germany |
2002 |
Supergas, Kunstruimte Wagemanns, Grooningen, The Netherlands
About TV, ARRA/About Studio, Bangkok, Thailand |
2001 |
Supertool, Rooseum Center for Contemporary Art, Malmoe, Sweden (one year project)
Nuuk Beta, The Culture House, Nuuk, Greenland |
2000 |
Superflex in company/economic potentials, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, USA |
1999 |
Karlskrona2/Utrecht2, CASCO Projects, Utrecht, The Netherlands
Superchannel, Artspace 1%, Copenhagen, Denmark
Tools, Kunstverein Wolfsburg, Germany |
1997 |
Superflex Biogas in Africa, Kiasma Museum of Contemporary Art, Helsinki, Finland |
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Selected
Group Exhibitions
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2003 |
Rethinking Marxism, Herter Art Gallery, Massachusetts, USA
Happiness, Mori Art Museum, Tokyo, Japan
Arcadia, Govett – Brewster Art Gallery, New
Zealand
Utopia station, Venice Biennale, Italy |
2002 |
Gwangju Biennale, Korea
BIG, Torino Biennale, Italy
The Global Complex, Grazer Kunstverein, Austria |
2001 |
2nd Berlin Biennale, Germany |
2000 |
Cities on the Move, Kiasma Museum of Contemporary Art,
Helsinki, Finland
Democracy, Royal College of Art, London, United Kingdom |
1998 |
Something Rotten In…, Museum Fridericianum, Kassel, Germany
Never Been in a Riot, Transmission Gallery, Glasgow,
Scotland |
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Contribution: Participates in Station 2: Aarhus Art Building, Aarhus with “INGEN MINORITETER" (NO MINORITIES), 2004. Wall painting produced in collaboration with Hamayun Latif Butt. Dimensions variable. Courtesy Hamayun Latif Butt & SUPERFLEX. |
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